Once again you can bid to win lunch with one of your favorite star from “The Brady Bunch Variety Hour” for charity. Precious Paws is having a fundraiser where you can bid to have lunch with Susan Olsen (Cindy Brady) and Erin Murphy (Tabitha from Bewitched). The auction is chock full of a number of celebrity memorabilia and other fun things to bid on. Precious Paws says:

Celebrities Support Online Auction for Los Angeles Pet Rescue Organization
Annual online event for Precious Paws to feature lunches with actors, entertainment memorabilia

LOS ANGELES, CA (October 27, 2010) – Stargazers rejoice: the Celebrity Experience and Entertainment Memorabilia Auction will be held from October 28th – November 7th. The online auction supports Precious Paws, a non-profit animal rescue organization based in Encino, Calif. The auction, held exclusively on the Precious Paws eBay store, will include star-powered items for fans and Hollywood followers of all ages.

Among featured auction items are VIP tickets to a Bon Jovi concert in New York City with a backstage meet and greet with Richie Sambora. Another show-stopping item comes from Adrianne Curry, who has donated a custom designed midi chopper airbrushed with her first Playboy pictorial.

“I know the effort and heart that was poured into this bike, and if it can bring someone half the happiness it brought me in the name of charity, I’ll be a very happy woman,” said Curry. “I got both of my babies (Sgt. Pepper and Lucy in the Sky with Diamonds) from Precious Paws, and can think of no one else I would have given my bike to.”

The auction also features opportunities to have lunch with notable celebrities, including: Eric Roberts, an Academy Award nominee for his role in “Runaway Train”; Cherie Currie of the Runaways; Susan Olsen, known for her role as Cindy on “The Brady Bunch”; Erin Murphy, known for her role as Tabitha Stevens on “Bewitched”; Emmy Award winning soap star Drew Tyler Bell; and Rod Rodenberry.

“I have known Georgyne La Lone and Penny Juday for years and I know how dedicated they are to their cause. I am happy to help by offering a lunch with myself to support their organization, Precious Paws,” said Rod Rodenberry, the son of legendary “Star Trek” creator Gene Rodenberry.

For additional information about the Celebrity Experience and Entertainment Memorabilia Auction, please go to their official auction website or contact Georgyne LaLone, president and founder of Precious Paws, at GeorgyneLaLone@PreciousPaws.org.

About Precious Paws

Since 2003, Precious Paws has been rescuing unwanted companion cats and dogs in Southern California from both the streets and local shelters. A 501(c)3 registered non-profit organization, Precious Paws is dedicated to spaying or neutering, vaccinating, and testing each animal rescued before they are placed for adoption into permanent homes. For more information, please visit www.preciouspaws.org.

Auction Catalog

Two VIP tickets to a Bon Jovi concert in New York City in the spring of 2011, including a backstage meet and greet with Richie Sambora

Two VIP tickets to a Bon Jovi concert in Las Vegas in the spring of 2011, including a swag bag

Lunch with Susan Olsen and Erin Murphy

Lunch with Eric Roberts

Lunch with Rod Rodenberry

Lunch with Drew Tyler Bell

Two tickets to a Cherie Currie concert and a backstage meet and greet in 2010/2011

Adrianne Curry’s midi chopper

A phone call from Bobby Sherman

Entertainment memorabilia galore

 

Download Press Release Here

Also Krofft/Brady related, up for bid is Adrianne Curry’s (wife of Chris Knight/Peter Brady) midi chopper from Beverly Hills Choppers.

With the lackluster performance of Land of the Lost this past year, what does the future hold for Sid and Marty Krofft? Krofft Productions defined Saturday morning & variety television in the 1970s. No matter how awful these shows appear to us today, they live in the memories of an entire generation of kids…and maybe their nightmares too.

It seemed like a sure thing…Will Ferrell and dinosaurs, what better way could you bring Krofft productions to the 21st century? Whatever happend, it didn’t work and some momentum was lost. That leaves the question of how to get the next Krofft movie on the big screen. H.R. Pufnstuf and Sigmund the Sea Monster were already in the pipe prior to Land of the Lost, so let’s explore them.

With the recent release of “Where the Wild Things Are”, Spike Jonze illustrated both what to do, and what not to do when mixing low-tech costumes and high-tech effect. The character of H.R. Pufnstuf can learn a lot from Wild Things. Sid and Marty are still costume masters, so expect them to up the anti. They can also learn from the story, as Marty said “Don’t mess with what worked“. Removing the 70s camp, and inserting some 21st century realism without loosing the childhood innocense will make Pufnstuf a wonderful film. A cameo from Billie Hayes is also a must.

Sigmund on the other hand could be tricky. Where Pufnstuf takes place in the magical “Living Island”, the Sigmund story takes place in the ‘real world’. The entire premise is camp. The story and costumes would require an update. Does Sigmund still talk? Does the story take on a Waterhorse style? It would be amazing to see the story of Johnny and his pal Sigmund come to the big screen (music and all), but I just can’t imagine how it would work. Maybe Pufnstuf would pave the way.

One of the problems I see is that Sid and Marty aren’t doing enough self promotion. They are not following the advice of Walt Disney that Sid quotes often, “keep your name above the title”. It wasn’t “Sid & Marty Krofft’s Land of the Lost”, it was “Will Ferrell in Land of the Lost”. Yes, they are releasing more and more of their shows online (Hulu, iTunes, etc), but not promoting it well. They partnered with the already dieing MySpace, which has done nothing for their online presence except associate them with trashy chicks and dudes hoping to hook up (I’m not saying everyone on MySpace is that way, but it is the overwhelming majority).

Sid and Marty, get your name back “above the title”.

When I went to see Where The Wild Things Are I couldn’t help but be reminded of Pufnstuf. Part of me wished that the Kroffts had gotten Puf out first, while another part was glad the Sid and Marty could hopefully learn from the mistakes of Wild. In an article at NY Daily News, Marty expresses:

” ‘Wild Things’ is very, very good for us,” says Marty Krofft. “We always wanted to do low-tech costumes and high-tech heads. But it’ll be a big difference in tone, of course — we’ll be bright, not dark.”

Also, this marks the first time (that I’m aware of) that Marty admits they went to far with Land of the Lost. That they strayed to far from the original.

“We went with comedy, which got it green-lit. But we didn’t know it was going to go so far in the PG-13 direction and so close to an R rating,” he says of the unfortunate flop. “Our characters are all likable, and we have so much goodwill from our fans. So, now we know: Don’t mess with what’s worked.”

I’m glad to see that he’s had this realization. When I met Marty Krofft this past summer, I really wanted to discuss this exact issue with him, but wasn’t sure he would have been receptive. You can’t turn a family-friendly story of a popular children’s show into a raunchy comedy and expect success. It’s like drinking a beer when you were expecting milk. Doesn’t matter how good the beer is, it’ll taste like crap. (even though in this case it was crap)

Also in the article, Marty discusses plans for Electra Woman and Doctor Shrinker. Both stories would have great appeal if handled properly. Especially EW with the rash of super hero movies at the box office.

Thanks to Shemp DeYoung for pointing me to the article. Please leave your comments below.

The Brady Bunch Variety Hour was basically a spin-off of the Donny and Marie show. An entire season of not only what would come to be considered one of the worst shows in television history, but of one of the most blatant copyright infringements of all time.

Sid and Marty Krofft are more known for their puppet creations than their variety shows, but they had many. From Pink Lady and Jeff to Donny and Marie and of course The Brady Bunch Hour

Variety shows were a staple of television since its inception but fizzled out in the early 80s. The Brady Hour was an example of that fizzle. Why would someone want to remind us of a show that even those who were involved like to pretend it didn’t exists? KROFFT.NET asked author Ted Nichelson about what brought him to write Love to Love You Bradys: The Bizarre Story of The Brady Bunch Variety Hour

KROFFT.NET: What originally drew you to the BBVH.

TED NICHELSON: My involvement began innocently enough one evening in Ann Arbor, Michigan while reading through some news group postings on the internet. I was a student at the University of Michigan and probably had more important things to do. But I was curious about this “Brady Variety Hour” that was being rerun on an obscure cable network in Australia. People down under were having the most entertaining discussions about this supposedly terrible show. I became email friends with a few people lucky enough to see the Variety Hour and convinced one of them to record some episodes and send them to me on the other side of the globe. As a childhood fan of The Brady Bunch it was a thrill to see this cast of characters in a “new” series, much of which to this day has still not been broadcast to American audiences since its single and only broadcast in 1976-77.

KN: How did Susan and Lisa become involved in your project? Did you start it together?

TN: I began by starting a website devoted to The Brady Bunch Variety Hour which soon raised some eyebrows. Almost immediately I received an email from Maureen McCormick’s mother Irene who was so very entertained by what I had put together. In the next year this was followed by interviews with cast members such as Geri Reischl, whom I spent six month trying to locate, Chris Knight, and finally Susan Olsen. Susan was particularly awestruck by my website because she had suppressed her memories of the Variety Hour and was shocked to have them coming to the surface once again. Over several years of becoming friends and relocating to Los Angeles after graduation, I asked her if she would like to collaborate on a book about the series. Fans had been encouraging me to move forward on such a project for a long time and I knew that Susan would be the perfect compliment to such a publication.

Lisa joined the project in 2004 when we decided the format would be a coffee table book. Not only is Lisa Sutton the official ‘Bradyologist’ but she is a talented graphic designer which a lot of experience in that realm. She designed ‘Growing Up Brady‘ so she was the obvious choice for ‘Love to Love You Bradys.’

KN: There is so much information in the book, was it challenging locating the lesser known cast and crew?

TN: It was really quite difficult tracking down everyone, and was nothing less than being a private investigator. I had to call around and talk to people who knew the person I was looking for, and get enough information (such as the name of a spouse, child, or other relative) so that I could l search public records. The most difficult people to locate were Geri Reischl, Charkie Phillips, Madeline Graneto, and Robyn Blythe. I began looking for Geri about 10 years ago and at the time nobody had heard anything about her since about 1980. Now we all know her, but at the time she was completely anonymous and living a normal life.

Finding photographs of some of the deceased individuals was also extremely difficult and often took many months of hunting.

KN: What was the most difficult part of writing the book?

TN: The most challenging part of writing the book was taking all the disparate elements and great stories, then weaving them together so they began to tell a story and paint a picture of what the mid 70s was like in television. Susan and I wanted the book to have a distinct academic tone, which was part of the parody – that we took something seemingly unnewsworthy and made it interesting to read about. I think we succeeded in that goal and it turned out that the material was fun, entertaining, and historically significant. A lot of people are surprised by how interesting ‘Love to Love You Bradys’ really is.

KN: Any plans for a follow up?

TN: I think we’ve pretty much exhausted the topic of ‘The Brady Bunch Variety Hour,’ but perhaps we’ll collaborate again on something related. My next book is an autobiography with actress and comedian Geri Jewell, which should be out in 2011.

KN: Were the Krofft Brothers open to you doing the book?

TN: Sid and Marty have distinct personalities, so their individual approach in participating in the book was different. Sid likes to chat on the phone and remembers a lot of things. He invited me to come meet him a few times to discuss things further and was just the sweetest person. Marty, on the other hand, was much more business-like but also very warm and helpful. He invited Susan and I to his office where we discussed the book and then went to lunch. They were just the nicest people and I am grateful to them.

KN: Do you know if Sid and Marty have seen the book? Did they have any comment?

TN: None of us have heard from Sid and Marty so I do not know if they saw the book. If they called me I would be sure they were sent a book, so the offer is open. I think they are both so busy that they may not even be aware it is out yet.

KN: Are you a fan of any of the other Krofft works? If so, which ones?

TN: I am not very informed about their shows, but I can name them all and have watched clips on YouTube to get an idea for their creative style and to understand how it colored their involvement with ‘The Brady Bunch Variety Hour.’ I became good friends with Van Snowden, who played HR Pufnstuf, and I learned a lot of about the Kroffts and their shows by listening to him tell many great stories.

KN: After being immersed in the Krofft/Brady world for so long, how would you sum up the experience?

TN: The first thing that comes to mind is that ALL of these people on both sides are the NICEST individuals you could ever hope to meet in Hollywood. A lot of producers, directors, and actors are so very rude, egocentric, unapproachable and distracted. The Kroffts and Bradys couldn’t be farther from this stereotype. It was a true honor, privilege, and joy to meet all of them and to preserve some of their memories for the ages.

KROFFT.NET would like to thank Ted Nichelson for the interview, and urge you to get your copy of Love to Love You Bradys today.

Charles Nelson Reilly was an amazing performer, and an amazing human being. He was one of the most unique individuals to to every grace the stage and screen. I would have loved to have seen him live before his passing in 2007; he is greatly missed.

The Life of Reilly was first shown in 2006 and is an adaptation Charles Nelson Reilly’s one-man play “Save It For the Stage: The Life of Reilly”. It is an edited version of Reilly’s longer stage show, filmed live before audiences at the El Portal Theater in North Hollywood, California in October of 2004. I recently purchased the DVD from the website of the late Charles Nelson Reilly.

Charles Nelson Reilly is the reason I remained a Krofft fan for my entire life. His portrayal of Hoo Doo in Lidsville made an impression on me at the young age of only 3. His signature laugh was the only thing I remembered for years, and spent years trying to remember those early childhood dreams.

My next exposure to Charles was The Match Game. My grandmother was a huge game show fan, so I had early exposure to The Match Game, The Price is Right and many others. The familiarity with Reilly drew me to him instantly. I’ve been a huge fan since. He is an entertainer for all ages, and deserves a larger place in entertainment history.

The movie Life of Reilly is a perfect film. It starts off asking “Do you remember who Charles Nelson Reilly is?” Tragically, not enough people do. Interspersed with clips that illustrate his story, Life of Reilly shows us CNR‘s life from his own point of view…tragic, exciting and funny. The film’s impact is amplified by the passing of Reily. It is wonderful that he was able to document this prior to his death.

Sadly, the film is still not widely available on DVD. But, the good news is that you can still get it. I received an email from the directors recently:

The DVD was slated to be released early this year by the legendary New Yorker Films. Unfortunately, as you may have heard or read, New Yorker Films recently filed for bankruptcy.
…
In the mean time, for a limited time only you can get a FREE DVD Screener of the film on our website when you buy a T-Shirt for as little as $14.95.

Of course, I now have mine. I would love to see all the raw footage of Reilly’s performance, but for now I’ll be content with this extraordinary DVD.

What are you waiting for? Go get yours!

Up until now, “The Brady Bunch Hour” was one of those one-off shows that only Krofft-fanatics and Brady-ologists even remotely remembered…and many would have liked to forget. Variety shows in the 1970s were like reality-shows are today; occasionally there was a good one, but most of them were very bad. The Brady Hour was no exception.

I heard about this book (Love to Love You Bradys) two years ago when I was contacted by author Ted Nichelson. As a Krofft Fan, I was excited to hear a new book based on one of their properties was in the works, but at the same time wondered if was more a Brady book, than a Krofft book. The closer we got to the release, I started wondering if if my expectations were too high. I’m glad to say, they were too low.

I read this 300 page book in one sitting….I just couldn’t put it down. Nichelson’s over 7 years research and development pays off with a very engrossing, and well written book that pulls you in and won’t let you go. It’s a ‘coffee table book’, but structured well to tell a story from start to finish. What I found particularly interesting was the history of the show told from the writers’ point-of-view. Their insights provide us with a unique perspective of a Krofft production as well as 70s TV in general.

Being a coffee table book allows for lavish imagery throughout the book. Some pictures you’ve seen before, but more than not there is something new on every page. The show was such a visual experience that the photos are a must to experience the surreal-ality that was The Brady Hour. Also, the side notes by Susan Olsen (Cindy Brady) really put it over the top.

If you have any interest in the Brady Bunch, Sid and Marty Krofft, or just TV show business in the 70s in general, this is the book to get. This is the story from start to finish on how the Brady Hour came to be, and how it faded away. I loved every minute of it…twice.

GET YOURS NOW

(Come back in a few days for the first KROFFT.NET podcast containing video of the event)
This past weekend in Burbank, The Hollywood Collector’s Show was held at the Burbank Airport Marriott. My wife and I traveled to California from Michigan to get a chance to see The Kroffts, The Bradys, Witchiepoo and Pufnstuf all under the same roof. The two day event was filled with many stars spanning at least 60 years of television and film, but we were there to meet some Krofft Alumni. I went as a casual fan, to get a few autographs, and to meet the people who’s acting I’ve admired through the years. I didn’t get any interviews (but I hope to in the near future), I didn’t try…I just wanted to enjoy meeting them.

Led by Susan Olsen, several of the stars of The Brady Bunch Variety Hour were on hand to sign autographs and meet fans in support of the Precious Paws organization. At the event was Susan Olsen (Cindy Brady), Mike Lookinland (Bobby Brady), Chris Knight (Peter Brady), and Barry Williams (Greg Brady). Also there to support Precious Paws was Christopher’s wife Adrianne Curry and Robbie Rist (Cousin Oliver from The Brady Bunch). All of them were very pleasant to talk to and all had some interesting stories to tell. I brought my Brady Hour DVD for them to sign. As I handed it to each of them they each had some clever remarks to make about the show. The best was Chris Knight who remarked immediately, “They actually sell these?” (also, thanks to Chris for reminding me to take the cover out of the plastic).

Marty Krofft was there for most of Saturday. Incredibly, he was stuffed in the corner behind he mob of Happy Days fans where you wouldn’t have found him if you weren’t looking for him. This was the first time I’ve met Mr. Krofft, and he was very nice to meet. Because of the noise and crowd, I didn’t get to spend much time with him, but I did enjoy the few moments I was able to talk to him. When I went back later in the day, he had already left. I had him sign my Pufnstuf DVD.

Van Snowden was also there. When I first saw him, he was standing in the line with us fans waiting to get in (the show was very unorganized), and I didn’t even recognize him. He was very pleasant, but not very talkative. The noise in the room didn’t make it easy to have a conversation with the soft spoken Mr. Snowden. I had him sign my Pufnstuf DVD.

The wonderful Billie Hayes was at the show in support of her long-time organization Pet Hope. I’ve ben an admirer of hers for many many years, and finally meeting her was a treat. She is the sweetest person I’ve ever met, and was genuinely excited to meet each and every one of her fans. I could have spent the entire day sitting there with her…she is amazing. She graciously signed my Pufnstuf DVD and posed with me in a picture. And yes, she still sounds like Witchiepoo.

In all it was a great show. It was billed as an autograph and collectors show, but to me it was a meet and greet with show business legends. The show itself was poorly organized. Why wasn’t Marty Krofft, Billie Hayes and Van Snowden even close to one another? They told the celebrities that it started at 10am, and let us in at 9am. (and there were other, non-Krofft related anomalies) The show was great, and I hope to get another chance to spend some time with these Krofft-alumni.

Please post your experiences in the comments if you attended, or ask any questions you may have.

Also, for non-Krofft related coverage of the show, go to META-TAINMENT.COM.

Friday night, I finally made it out to see the new Will Ferrell comedy, Land of the Lost, while my kids went to see “Night at the Museum 2″. They got the better end of the deal. (Warning Spoilers)

The Good: The set design was very good. I can’t argue at all with the look of the movie. The creatures were real enough, with just enough camp to be a Krofft production.

Anna Friel, Will Ferrell, and Jorma Taccone (Chaka) did a pretty good job keeping me into the movie. Mostly, with the exception of the many Ferrell-isms, they were taking the story seriously, and it kept me engaged.

I had one (sorry just one) laugh out loud moment in the film. As Marshall, Will and Chaka are lying stoned in the desert, a giant crab appears to attack, but falls in a volcanic sinkhole. It pops back up, and breaks into pieces…perfectly steamed. Which the trio proceed to eat. The comic timing (editing) was perfect, and made me laugh.

The Bad: This was a terrible movie. It didn’t know what it wanted to be. In the beginning the it kind of comes across as a serious movie (other than the over the top part of the Matt Lauer scene). Rick Marshall is supposed to be a brilliant scientist who is cast out of main stream science for his theories, and at the beginning of the movie he appears to be (think Doc Brown from Back to the Future). Why was he such a buffoon later on? How could that person have built the device?

Also, having read A Brief History of Time, The Cosmos Explained, Parallel Worlds and Hyperspace, I know that “main stream science” has embraced theories like Rick Marshall’s. Maybe I’m over thinking it, but why did this have to be about a failed scientist. The only thing that would have to be eliminated or adjusted was the Matt Lauer storyline. And it wasn’t that funny anyway.

The boob jokes were over-used and just became annoying after awhile. A child asking “do dinosaurs have boobies” was cute, but out of place. Will’s description of the boob-mugs that he sold in his store was just strange. The first time Chaka grabs Holly’s breast was funny. The next twelve times (at least) that someone grabbed Holly’s chest was forced and annoying.

Several other things were just confusing. They set up for Zarn to be an ally, but then Marshal killed the Sleestaks that were loyal to Zarn. Enik was supposed to be hurt, but he was fine after the gang found him, and nobody seemed to notice. Why did Marshall treat Chaka like crap?

What I assume were ad-libs between Ferrell and McBride were very out of place. They seemed to be having their own little battle going, and in different context, might have been funny. I found it to be distracting, and pulled me out of the movie. I’m a fan of Ferrell comedies, and this was just weird.

Conclusion:
I wouldn’t blame the story/script because it did have potential. My blame, after watching the film, is placed on director Brad Silberling. He didn’t maintain enough control of the film, or he didn’t give up enough to Ferrell. What we got was a mismatched film that goes nowhere. I might have enjoyed “Anchorman with Dinosaurs”.

On Sunday, the highlight of The TVLand Awards was the wonderful tribute to Sid and Marty Krofft. Here at KROFFT.NET, we gave you a chance for premium tickets to the event. As a stalwart fan of the Kroffts, it felt good to see Sid and Marty honored on the same stage as my other love, M.A.S.H.

With the impending release of Land of the Lost, and future projects such as Sigmund and the Seamonsters, this tribute should go a long way in bringing them back into the pop culture consciousness.

Friend of KROFFT.NET, author Ted Nichelson, had this report from the event:

I went to the taping of the TV Land Awards on Sunday evening at Universal Studios. They had a huge, spectacular musical production number dedicated to Krofft shows, so you won’t want to miss it. It was like a Broadway revue and ran about 8 minutes. They touched on everything just about, and had many Krofft characters in full costume – including HR Pufnstuff and Sigmund. Others were Kilng and Klang, Lidsville hats, Hoo Doo, and Billie Hayes reprised her role as Witchiepoo. They had some Bugaloos flying around. Cyndi Lauper sang “ElectroWoman and DynaGirl” while Clint Black sang “Land of the Lost.” Sid and Marty came up afterwards and accepted the Pop Culture award. It was truly amazing to see in person.

I really regret my decision not to go, but I couldn’t justify the expense. After seeing the broadcast on Sunday, I’m very envious of those who attended. The production number was very Krofft, and I’m sure there were thousands of viewers who said, “Hey, I remember that show!” every time a new song was sung. Now, when do they get their Emmy tribute?

The costumes were wonderful; each reproduced to the original puppets of the 70s. Cindy Lauper and Clint Black seemed to fit in, but Barry Williams (as much as I like him) didn’t fit in well. Also, where was Billie Hayes? The actress that portrayed Witchiepoo did a wonderful job, but Billie should have been involved in some fashion. She was part of the Krofft’s early success and, I assume, available to participate.

Photos provided by Ted Nichelson

In all, I thought the show was great and hope that it is only a precursor to the coming wave of respect to be show to these great legends. Also, thank you Sid and Marty for recognizing us fans who’ve stuck by you all these years, and helped to keep your creations alive.

Welcome to the World of Sid and Marty Krofft!

The Brady Bunch Variety Hour was the quintessential 70s variety show. Music, dancing, skits and the hottest guest stars was the staple of the Krofft produced show. Now little Cindy, Susan Olsen, as teamed with author Ted Nichelson to release “Love to Love You Bradys: The Bizarre Story of The Brady Bunch Variety Hour”…a behind the scenes history of the rarely seen Brady Bunch Variety Hour. The press release has:

ECW PRESS SIGNS ‘BRADY BUNCH’ STAR SUSAN OLSEN FOR NEW COFFEE TABLE BOOK

Hollywood, CA – (January 2, 2009) Brady Bunch star Susan Olsen and ECW Press announced today their joint collaboration for the coffee table book Love to Love You Bradys: the bizarre story of The Brady Bunch Variety Hour which is scheduled to be released in September, 2009. Susan’s co-author is Los Angeles writer Ted Nichelson and pop-culture maven Lisa Sutton will serve as art director and designer.

This colorful, glitter-filled retrospective will take a look back at the most disastrous offering in television history and explain how and why the rarely seen Variety Hour was conceived, produced, and ended up ranked in TV Guide’s top five “Worst Shows of All-Time.” Behind the scenes, this production was chock full of very serious human conflict: drug addiction, sexuality, weight issues, religion, and heated power struggles – all ultimately shattering the Bradys’ perfect image and forever scarring the legacy of TV’s favorite family.

Originally airing as a 60-minute special, The Brady Bunch Variety Hour was produced by Sid and Marty Krofft and premiered on ABC on November 28, 1976 . It featured the actors from The Brady Bunch sitcom singing and dancing their way through the disco era on stage above an enormous swimming pool populated by the enchanting Krofftette Water Follies. Largely derivative of the hit series The Donny and Marie Show, from the same production team, the success of this special led to a semi-regular series of which eight additional 60 minute episodes were produced and aired as monthly specials from January to May 1977. None of the installments were ever repeated on network television. Now a confirmed cult classic, the Variety Hour has been successfully parodied on such recent hit television series as The Simpsons, That 70’s Show, The Family Guy, Tiny Toons, and The Gilmore Girls.

The book features hundreds of never-before-published photos and interviews with cast, crew, and production staff, including the Brady Bunch, Sherwood Schwartz, Sid and Marty Krofft, Bruce Vilanch, Paul Shaffer, and Rip Taylor.

Pre-Order the Book here